SAVE THE DATES FOR OUR 2026-2027 SEASON!

An Amor Artis Holiday

Sunday, December 6, 2026, 3 pm, Basilica of St. Patrick’s Old Cathedral

Immerse yourself in the splendor and joy of the holiday season with our signature concert experience, which seamlessly blends music from ten centuries, from haunting medieval chants and festive early Baroque fanfares, to well-known classic carols and contemporary holiday songs. The gorgeous sound of Amor Artis’s singers will be accompanied by the “velvet ribbon of sound” of cellist David Heiss, the “relentlessly beautiful” playing of harpist Parker Ramsay, and the one-of-a-kind sound of saxophonist Eddie Barbash, with trumpets, organ, and English horn.

All-Bach New Year’s Eve

Thursday, December 31, 2026, 7:30 pm, Church of the Holy Trinity

Ring in the New Year with the timeless brilliance of J.S. Bach. Joined by New York City’s finest Baroque instrumentalists, in the historic space at The Church of the Holy Trinity, we’ll treat you to a rich variety of our favorite motets and instrumental works that revel in Bach’s unmatched brilliance. 

In Tenebrae

Sunday, March 7, 2027, 3 pm, Basilica of St. Patrick’s Old Cathedral

This moving, beautiful program, anchored by James MacMillan’s Seven Last Words, explores through music the darker and lighter corners of the human spirit, from grief, to consolation, to joy. Joined by string orchestra, Amor Artis present this masterpiece along with stunning works from the Renaissance, Baroque, Classical, and Contemporary eras by Victoria, Gesualdo, Couperin, Garcia, and others.

Monteverdi’s Vespers of 1610

Sunday, May 23, 2027, 4 pm, All Souls NYC

In memory of beloved member Giovanni Favretti, Amor Artis will present Claudio Monteverdi’s Vespers of 1610. In this richly varied collection of psalms, hymns, canticles, and motets, Monteverdi juxtaposes the two musical styles vying for predominance at the turn of the17th century—the stile antico and the stile moderno—demonstrating his mastery of each. Amor Artis will be joined by a diverse array of early-Baroque instruments like the cornetto and sackbut, played by the experts of the Dark Horse Consort, alongside lutes and members of the violin family, immersing audiences in the kaleidoscopic splendor of the early 17th-century Venetian sound world filtered through Monteverdi’s matchless imagination.